THEORETICAL-METHODOLOGICAL CARTOGRAPHIES IN ARTISTIC RESEARCH
Synopsis
This is a book that recognizes our collective steps, all of us who have walked together for years, together, in an affirmative and reliable complicity to think and produce art.
As its name indicates, the book is made of cartographies, of paths that dialogue with art theory, with production processes, with experiences, with essays; with the search, of an increasingly certain sample that the paths walked are taken and nourished by a community that, little by little, builds its own history and memory. The plural person from which we speak is the one that refers to a community that is in turn diverse and multiple: from the social sciences, with the methodologies closest to the arts, to those born from the very processes of study and production of the arts and contemporary humanities located in the closest, most complex and problematic territories.
Chapters
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PROLOGUE
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CULTURAL ARTIFACTS
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Wixárika aesthetic expression as cultural metonymy: an essay of a theoretical-methodological operationalization.
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BODY, VIOLENCE AND FEMINISM
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How to open our eyes? Reflections on violent images on stage
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Cartographies and Art: thinking corporealities from the encounter between Braidotti and Butler for a LOCALized art.
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Shifts in the strategies of symbolic criticism, for the study of art produced by women in Aguascalientes.
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CONTEMPORARY MEDIA ART
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A digital laboratory as an ideal space for media writers
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The medium [hinders] the cinema: a theoretical-methodological approach to produce a paracinema.
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